Later pressings of the album used the live version of "Jive Talkin'" from the Bee Gees 1977 album, Here at Last... Bee Gees... Live. It was the second time in the band's career that this strategy had been employed to get airplay for their music, after a similar tactic had popularised their debut US single New York Mining Disaster 1941 in 1967. Maurice goes on to describe how Arif gave them "the groove, the tempo, everything."
, After hearing "Jive Talkin'", Lindsey Buckingham of Fleetwood Mac, and co-producer Richard Dashut built up the song "Second Hand News" (released on the band's Rumours in 1977) with four audio tracks of electric guitar and the use of chair percussion to evoke Celtic rock. Upon its release to radio stations, the single was delivered in a plain white cover, with no immediate indication of what the song's name was or who sang it. Jive talk synonyms, Jive talk pronunciation, Jive talk translation, English dictionary definition of Jive talk. They were very successful as contemporary singers in the late '60s and early '70s, but the two albums they released before, Along with several other Bee Gees hits, this was featured on the soundtrack to. "Ain't No Sunshine" by Bill Withers was inspired by the Jack Lemmon movie Days of Wine and Roses. Bee Gees Wiki is a FANDOM Music Community. Check your score in the Ramones version of Fact or Fiction. And when Maurice came back, we let him hear it and suggested he re-record the bass line on his bass guitar". Jive talk, Harlem jive or simply Jive (also known as the argot of jazz, jazz jargon, vernacular of the jazz world, slang of jazz, and parlance of hip) was an African-American Vernacular English slang that developed in Harlem, where "jive" was played and was adopted more widely in African-American society, peaking in the 1940s.. The song approximates the synthesised propulsion of Stevie Wonder's "Superstition".. The CD version restores the use of the studio version. Like all Bee Gees song off the Saturday Night Fever, jive Talkin changed our lives in the late 1970's. ", More songs that had different titles when they started, Mike Scott of The Waterboys - "Fisherman's Blues".
The DJs would only find out what the song was and who played it when it was placed on the turntable; RSO did provide the song with a label on the record itself.
"Jive Talkin ' " is a song by the Bee Gees, released as a single in May 1975 by RSO Records. If so, this quiz is for you. This was an R&B track that did very well in the black charts in America. The group, which had considerable success before the disco era, took a lot of heat in the press. He then said, "We didn't think that there was any 'no go' areas, it's music!" The Bee Gee's Sing and Play 14 Barry Gibb Songs, https://beegees.fandom.com/wiki/Jive_Talkin%27?oldid=3275. "Jive Talkin'" is a term for slang. And we said 'Well yeah, it's, ya know, you're dancing.'
Maurice goes on to describe how Arif gave them "the groove, the tempo, everything." This combination, with Maurice on bass and Barry on rhythm guitar, recorded all the Bee Gees albums of the late '70s and also went on tour with the group. This criticism would weigh on them in later years as they felt that accusations of selling out and creating popular schlock were out of line.
, Upon its release to radio stations, the single was delivered in a plain white cover, with no immediate indication of what the song's name was or who sang it. It was the second time in the band's career that this strategy had been employed to get airplay for their music, after a similar tactic had popularised their debut US single "New York Mining Disaster 1941" in 1967. The song's rhythm was modelled after the sound their car made crossing the Julia Tuttle Causeway each day from Biscayne Bay to Criteria Studios in Miami. He says 'NO...it's a black expression for bullshitting.' Robin then goes on to mention that, because they were English, they were less self-conscious about going into the "no go areas", referring to musical styles that were more black in styles, etc. Take your favorite fandoms with you and never miss a beat. The DJs would only find out what the song was and who played it when it was placed on the turntable; RSO did provide the song with a label on the record itself.
They became icons of the era, singing in falsetto harmonies over dance beats. The Bee Gees were one of the first white groups to explore that territory. The original studio version was included on the Saturday Night Fever soundtrack, as it was used in a scene that was cut from the final film.
and Nick Heyward (of Haircut One Hundred). The flautist frontman talks about touring with Led Zeppelin, his contribution to "Hotel California", and how he may have done the first MTV Unplugged. The song's rhythm was modelled after the sound their car made crossing the Julia Tuttle Causeway each day from Biscayne Bay to Criteria Studios in Miami.. And we said 'Well yeah, it's, ya know, you're dancing.' Largely recognised as the group's "comeback" song, it was their first US top-10 hit since "How Can You Mend a Broken Heart" (1971). The resulting crossbreed of pop hooks and funky rhythms quickly flew into the top reaches … The song's rhythm riff perhaps from "Shirley & Company's "Shame, Shame, Shame", with a prominent use of the Bo Diddley beat.
"Jive Talkin'" is a song by the Bee Gees, which hit number one on the Billboard Hot 100 and reached the top-five on the UK singles chart in the summer of 1975.
Then sings "Okay" in a Bee Gees voice.
Until December 5, 1998, a song had to be issued as a single to make the Hot 100. And we went 'Oh, Really?!? He goes on to say, "We played it to [producer] Arif [Mardin], and he went 'Do you know what "Jive Talkin'" means?' They had seven more #1 hits in the disco era, but the band went out of style at the same time as white leisure suits.  Weaver stated, "Usually Maurice would play bass guitar, but he was away from the studio that night. Billy Joel's song "Allentown" was written as "Levittown," which is the town in Long Island where he grew up. This was called "Drive Talking" in its early stages, but producer Arif Mardin suggested the change to "jive" to play to teenage sensibilities. meaningless talk; to tease, fool, kid: Don’t jive me with your sweet talk. The Isley Brother's song, "Contagious," peaked at #19 on the Billboard Hot 100.
The cover was their biggest hit in 1987. A monthly update on our latest interviews, stories and added songs. The pulsing synthesiser bass line, which featured in the final recording, was (along with the pioneering work of Stevie Wonder) one of the earliest uses of "synth bass" on a pop recording. early jazz; Slang. By 1975, the Bee Gees assembled a studio group consisting of Alan Kendall on lead guitar, Blue Weaver on keyboards and Dennis Bryon on drums.
He got the idea to change it after taking a trip to Pennsylvania.
In 1987 this song was covered by the Boogie Box High. The scratchy guitar intro was done by Barry and the funky bass line provided by Maurice.
Contents[show] History The song was originally called "Drive Talking". The original studio version was included on the Saturday Night Fever soundtrack, as it was used in a scene that was cut from the final film. The rhythm was inspired by the chunka-chunka-chunka sound of a car rolling over a bridge crossing Biscayne Bay near Miami. Recording for "Jive Talkin'" took place on 30 January and 2 February 1975.
He goes on to say, "We played it to Arif [producer Arif Mardin], and he went 'Do you know what "Jive Talkin'" means?'
And we went 'OH, REALLY?!?'". On this day in 1975, “Jive Talkin’” reached number 1 on the Billboard Hot 100 and became the Bee Gees’ first [ …
, "Jive Talkin'" is a stuttering song like the Who's "My Generation", David Bowie's "Changes", Elton John's "Bennie and the Jets" and Bob Seger's "Katmandu". Former Fugees singer Pras sampled this on his song "Blue Angels. "I overdubbed certain sections to add bass extra emphasis". Do you know the girl singer on Eminem's "Stan"? , According to Maurice, while hearing this rhythmic sound, "Barry didn't notice that he's going 'Ji-Ji Jive Talkin'Template:', thinking of the dance, 'You dance with your eyes'...that's all he had...exactly 35mph...that's what we got." Barry's guitar strumming has a smoother version of Kool and the Gang's signature chicka-chicka and funky Nassau version of KC and the Sunshine Band's Caribbean strumming. The song was originally called "Drive Talking" in its early stage. This was the first big disco hit for The Bee Gees. On Iron Maiden's song "More Tea Vicar", towards the end, Bruce Dickinson sings a bit of the song in a voice imitating The Bee Gees as a joke, then follows it up with "No, no no! Largely recognised as the group's "comeback" song, it was their first US top ten hit since "How Can You Mend a Broken Heart" in 1971. Katy Perry's breakout hit "I Kissed A Girl" was surprising to those familiar with her past: her parents were pastors and she started off singing Christian music. Robin Gibb explained to. The Bee Gees, with wizards like Arif Mardin (who usually worked with Motown greats) gave the world future early techno, as disco.
Aaliyah's "Try Again" was the first tune to top the chart based on airplay alone, without any sales figures being included.
Robin Gibb then goes on to mention that, because they were English, they were less self-conscious about going into the "no-go areas", referring to musical styles that were more black in styles, etc. Behind the Track: “Jive Talkin'” The chart-topping “Jive Talkin’” once had a different name. Armed with a childhood spent devouring books, Mike Scott's heart was stolen by the punk rock scene of 1977. The song was originally called "Drive Talking". , According to Maurice, while hearing this rhythmic sound, "Barry didn't notice that he's going 'Ji-Ji Jive Talkin' ', thinking of the dance, 'You dance with your eyes'...that's all he had...exactly 35 mph...that's what we got." Jive talkin', you're telling me lies...' and changed it." "Jive Talkin' " is a song by the Bee Gees, released as a single in May 1975 by RSO Records. He says 'NO...it's a black expression for bullshitting.'
The lead singer and pianist for Procol Harum, Gary talks about finding the musical ideas to match the words. You got the wrong track, you have to go in the studio next door." This meant that the band of brothers became the first group to score a Top 50 hit in six consecutive decades on the chart.
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