She’s also miffed that Linda is less-than-eager to open the baby gift she got for her. Thankfully, Lucifer catches the “us” and refuses to dispense his punishment. For most of this episode, Lucifer believes Chloe is on his side. How will my inability to eat during the first trimester affect my baby?
While the former seems minuscule, it’s actually informed by the latter. With “Somebody’s Been Reading Dante’s Inferno,” Lucifer goes into detail about what exactly happened while Chloe was in Italy. Then Eve shows up to confesses how she created this whole mess, concluding with, “It seemed like a good idea at the time!” Poor Eve: naïve, thrill-seeking, and in love, but never malicious. Is this is all to make me care about you more?” This is when she finally asks what “the difference” is between moments when he’s hurt and moments when he can come out of an explosion without a scratch.
Speaking of Linda, she endures an awkward sonogram appointment with a stone-faced Amenadiel and a violently overprotective Maze. It’s fun to watch Lucifer the good cop role to Chloe’s bad cop though. Amenadiel failed to convince her about the worthiness of humanity, but thankfully, he was able to best her in combat, even without his time-stopping powers. Lucifer, blissfully unaware, gets advice from new L.A. resident Amenadiel to open himself up to humanity by asking Chloe out. It’s how they capture this episode’s murderer (I wish I had those incriminating financial records), but that’s less important than the call Chloe gets: Father Kinley has escaped from his wrecked police escort vehicle. It’s gross, but Chloe’s impressed. Five. Outside, Eve pours booze into his IV bag, and Lucifer tells Chloe that he got the closure he needed. Maze also gets a hug from Trixie, who says, “I couldn’t stay mad at you.” Good. Tom Ellis’s singing voice. Another highlight of this episode: Lucifer’s extreme over-identification with each case coming back to bite him, hard. He’s not evil, but he’s not an altruistic dedicating his time to helping the helpless. I fell in love with this charismatic chameleon in the canceled-too-soon. As he plans for a date, Chloe tests the concept of him being the Devil more and more, asking him questions that are the false stories that have been told about him and not the man she knows. Regarding this episode title: The good people of Twitter. Lucifer’s not sure he has it in him anymore, but Eve assures him he does. Let me know in the comments! Chloe and Lucifer have new partners. Who saw that coming? They’re good together. Chloe decided for herself that she knows Lucifer better than anyone and rejected the priest’s plan to drug the Devil. Not Lucifer and Ella, though. Instead, she puts her hands on his cheeks and kisses him. Back home, Linda finally opens Maze’s gift and finds a fuzzy gray baby blanket. PEOPLE. Lucifer, meanwhile, tells Chloe that he broke up with Eve, but he’s still not happy with how Chloe sees him, either.
After Chloe saw Lucifer’s devil face, she ran to Italy to do some research on him. It’s the usual up-to-his-neck-in-debt situation, and Pablo offered the necklace to make good, even sending video of himself with the Desert Mirage on his private jet.
She’s puzzled that Lucifer hasn’t rescheduled their date yet, but she’s also on him at their crime scene to stop drinking and roughing-up suspects, hoping he can show people he’s capable of change.
So Lucifer’s out of commission, Ella’s super high, and Eve has no superpowers. Yet Chloe’s too distracted by Kinley’s prophecy to notice. Yay! “How is he doing that?” she whispers. That night at Lux, a celebrating Ella bumps into Eve, and they immediately become BFFs in the most adorable way. Gimme all that angst. Again and again.
Since the end of Season 2, we also don't see Chloe get physically hurt unless Lucifer is near. Chloe disappoints Lucifer by refusing to give him the necklace to hand over to Bashir. We open in Lux, with Lucifer Morningstar at the piano performing an increasingly desperate version of Radiohead’s “Creep.” His outfits change, the crowd comes and goes, and his eyes get wilder, his hair more mussed, and his face more hopeless as the song progresses, until it ends with a hand holding a gun to his head.
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